This would go back and forth a number of times. Toggle navigation.
Mama, Call the Fire Brigade - Wilmoth Houdini 67. One individual would set the tempo by singing, and his lines are answered in call-and-response fashion. In music, call-and-response is a compositional technique that works similarly to a conversation. Twelve of Ella’s call-and-response songs with simple rhythmic sounds and lyrics in English and Swahili. Inspired by music of communities and Ella’s experiences in Kenya and Tanzania. "This is my favorite Jenkins collection. The “Call” is a rhythm played by the facilitator and the “Response” is the rest of the drum circle repeating the rhythm back. Caroline - Houdini 69. Call-and-response definition, noting or pertaining to a style of singing in which a melody sung by one singer is responded to or echoed by one or more singers. In music, call and response is a technique where one musician offers a phrase and a second player answers with a direct commentary or response to the offered phrase. The ring shout as practiced by slaves was a religious activity, with Christianity augmenting the African elements. In a drum circle you often have a facilitator who keeps the music going and moving forward. Call-and-response is a form of music sung by (or at least from the perspective of) two or more people. See more. Includes On Safari, Counting in Swahili, and Yemayah. This is where one section (say, the brass section, i.e., trumpets and trombones) would play a musical phrase and then be “answered” by another section (say, the saxes); the first phrase is the call, the answer is the response (like a musical conversation). call and response: a structure often associated with African music and dance forms, although it is also used elsewhere, including in classical, folk, traditional, and other primal forms. What is Call and Response? This is a fun way to make a drum circle sound like an organized piece of drumming music. Mr. Bissessar - Drupatee 68.

Gumboot dancing has clear origins in pre-colonial nguni musical practice: call-and-response interaction between leader and team, competitive performance, audience/community support, and comic subject matter (typically drawn from everyday experience). Call-and-response has its roots in traditional African music, which largely employed a vocal version. In Edward Kamau Brathwaite’s examination of Kumina in the Jamaica Journal, he says that persons who perform Kumina for entertainment purposes are warned against using particular drums. The Jack-Ass Song - Harry Belafonte 75. Rather than sing the same part or do different verses, one person sings a statement, the other gives a reply to it. The musicians build on each other’s offering and work together to move the song along and …